Saturday, June 11, 2011
at Cinema 2, TIFF Bell Lightbox
4:00 – 5:00PM Passes and tickets pick up at Box Office
5:00 – 5:30PM – Opening
3D FLIC and York University mark the official opening of the first Toronto International Stereoscopic 3D Conference.
- Opening remarks by Juana Awad, 3D FLIC Project Director.
- Welcome remarks by Michael Longford, Associate Dean of Research, Faculty of Fine Arts York University.
- Address by Karen Thorne-Stone, President and Chief Executive Officer, Ontario Media Development Corporation (OMDC).
5:30 – 7:30PM Keynote / Master class
Wim Wenders – PINA
Internationally renowned filmmaker Wim Wenders, who has made masterpieces such as Wings of Desire, Paris, Texas and the Cuban music documentary Buena Vista Social Club, presented his latest documentary PINA, a 3D dance film that is a tribute to the legendary German contemporary dancer and choreographer Pina Bausch, at this year’s Berlin Film Festival in February. As Wenders explains: “The two-dimensional cinema screen is simply not capable of capturing Pina Bausch’s work, either emotionally or aesthetically. When I watched her dance for the first time twenty-five years ago, I was captivated and deeply moved. I was able to understand human movement, gestures and feelings in a whole new way. And this magic is what I would like to translate to the screen […] 3D gives us the possibility of taking the audience directly onto the stage, into the middle of the event.” Showing excerpts from the film, Wenders will present a case study on PINA and discuss the creative possibilities that 3D technologies open up for filmmakers.
*Wim Wenders and Gian-Piero Ringel are guests of the Goethe-Institut Toronto and the OMDC
7:30 – 9:30PM Speakers Reception
at TIFF Blackberry Lounge (by invitation only)
Sunday, June 12, 2011
Industry Stream presented by OMDC
9:00 – 10:00AM Passes and tickets pick up at Box Office
10:00 – 10:30AM – Welcome
- Opening remarks by Juana Awad, 3D FLIC Project Director.
- Welcome by Nell Tenhaaf, 3D FLIC Lead and Fine Arts Professor, York University.
- Address by the Honourable Michael Chan, Ontario Minister of Tourism & Culture.
- Address by Canadian pioneer Bill White, co-founder of the 3D Camera Company, STEREOSCOPIC 3D, THE WAY OF THE FUTURE
10:30- 11:00AM Mini Keynote
CANADA’S LEAD ON THE STEREOSCOPIC 3D WORLD STAGE
This mini keynote contextualizes the Canadian expertise in the stereoscopic 3D arena, addressing current national contributions and outlining growing potential.
11:00-12:30AM Session A
STEREOGRAPHY AND CINEMATOGRAPHY: Rendering 3D space into a 3D image
Capturing is the most critical part of the S3D ecosystem. In this panel, experienced cinematographers and stereographers share their particular expertise, present their tools and discuss their different approaches to how to best to render space, depth and texture onto the stereoscopic image.
Paul Taylor – USA (Supervising Stereographer)
Peter Anderson, ASC – USA (Cinematographer)
Alexandr Melkumov – Russia (NIKFI)
Florian Maier – Germany (Supervising Stereographer)
Brent Robinson – Canada (Stereographer and Underwater Cinematographer)
Eric Edmeades – Canada/USA (CEO, Kerner)
Moderated by Ali Kazimi, York University
12:30-1:30PM Lunch Break
Lunch not provided. A variety of restaurants and cafes are available in the vicinity.
1:30- 3:00PM Session B
STEREOSCOPIC POST PRODUCTION AND VFX – Expanding the toolset or what happens after capture
A round table discussion on techniques, challenges and possibilities of the stereoscopic 3D postproduction field. Post production and visual effects experts show examples of their work and discuss the most pressing issues.
Ken MacNeil – Canada (President Creative Post)
Matt Cahill – Canada (Post production supervisor Saw 3D)
Tom Burns – Canada (Director, Post-production Infrastructure Technicolor)
Dennis Berardi – Canada (President and VFX Supervisor Mr X Inc.)
Nick Iannelli – Canada (VP Deluxe Postproduction)
Conversation lead by Rob Burton – Canada (VP Image Technology Arc Productions)
3:00-3:20PM Mini Keynote
IS THERE A BRIGHTER FUTURE FOR 3D? Practical considerations for 3D brightness in Theatres
This presentation will demonstrate the visual effects of reduced light levels, discuss how the 3D projection systems work, and address the physical reasons why luminance levels are reduced. Because the 3D systems are significantly less efficient than 2D systems, matching light levels with 2D presentations is not practical today. Considerations for practical levels will be addressed.
Matt Cowan, PhD (Chief Scientific Officer RealD)
3:20 – 3:30PM Break
3:30- 5:00PM Session C
CONVERSION – Creative challenges
This panel will focus on the latest 2D to 3D conversion technology and processes, with panelists presenting and discussing their tools, the quality and appearance of converted content, and the creative opportunities available for filmmakers using 2D to 3D conversion.
Samuel Zhou – Canada (VP Image Technology IMAX)
Steve Roberts – Canada (President Eyeon Software)
Carlos Vazquez – Canada (Scientist, Communications Research Centre Canada)
Moderated by Christos Giotis
5:00 – 6:30PM Session D
DIRECTING AND PRODUCING STEREOSCOPIC 3D – A conversation
Filmmaking with stereoscopic 3D presents a whole new range of challenges, but immersing the audience into a scene can deeply affect the viewer and give the filmmaker a whole new set of aesthetic possibilities. What should be taken into account when producing in 3D and where can filmmakers go with it? Panelists will discuss these questions while presenting examples of their own film and TV work.
Catherine Owens – USA/Ireland (Co-director U23D)
Gian-Piero Ringel – Germany (Producer Neue Road Movies PINA)
Jonathan Barker – Canada (SK Films Executive, Bugs!)
Diane Woods – Canada (Producer A Park for All Seasons)
Pierre Abou Chacra – UAE (Director 3D Camels)
Conversation lead by James Stewart – Canada (Geneva Films)
6:30 – 7:30PM Dinner Break
Dinner not provided. A variety of restaurants and cafes are available in the vicinity.
7:30- 8:30PM Keynote / Masterclass
Peter Anderson, ASC – On Stereography
A real world overview of filming in 3D. This one hour masterclass will address practical concerns in 3D filming and 3D rigs. It will include 3D Production Clips and 3D Subtitles, plus 3D Sticks the Tutorial.
Presented by James Stewart (Geneva Films)
8:45 – 9:30PM Screening
Bugs! A Rainforest Adventure
Insects are essential to life on Earth. They pollinate plants and recycle waste. By managing life and death they are the true caretakers of the natural world. Over three-quarter of the world’s insects live in the rainforests. One square mile of rainforest holds as many insects as there are people on Earth. BUGS! A Rainforest Adventure follows the life cycles of a mantis and a butterfly, from their births to their inevitable encounter in the rainforests of Southeast Asia, where predator meets its prey.
Monday, June 13, 2011
8:45 – 9:00AM Welcome
Opening remarks by Janine Marchessault PhD, York University and Juana Awad, 3D FLIC
9:00 – 10:30AM Session 1
STEREOSCOPIC PERCEPTION AND CINEMA
Rob Allison PhD, York University – Perceptual Artifacts in Stereoscopic 3D Film
Laurie Wilcox PhD, York University – The Role of Monocular Regions in Depth Percepts from Stereopsis
Martin Banks PhD, University of California, Berkeley – Temporal Presentation Protocols in Stereo Displays: Flicker Visibility, Perceived Motion and Perceived Depth
Moderated by James Elder PhD, York University
10:30 – 10:45 AM Break
10:45AM -12:30PM Session 2
HISTORY OF EXPERIMENTS IN 3D FILM AND PHOTOGRAPHY
Nicholas Wade PhD, University of Dundee – The Experimental Origins of Cinema and Stereo
Philippe Mora – The Search for 3D in the Third Reich
Charles Acland PhD, Concordia University – The Quiet Years of James Cameron
Moderated by Mike Zryd, York University
12:30- 1:30PM Lunch break
Lunch not provided. A variety of restaurants and cafes are available in the vicinity.
1:30 – 3:15PM Session 3
NATIONAL CONTRIBUTIONS TO 3D CINEMA
Haidee Wasson PhD, Concordia University – Film Technologies and Corporate Utopias: The Case of the New York World’s Fair (1939)
Janine Marchessault PhD, York University – Norman McLaren’s Total Cinema: 3D visions at the Festival of Britain
David Harris Smith PhD Candidate, York University – Immersive Cinema Innovation and the NFB
Sanja Obradovic PhD Candidate, York University – Developments in Stereo 3D as Nation-Building Projects
Moderated by Marta Braun, Ryerson University
3:15 – 3:30PM Break
Thomas Elsaesser – The Return of 3D: Revolution, Retrenchment or Panic Reaction?
PhD, Professor Emeritus University of Amsterdam
It is generally assumed that Hollywood’s massive push of 3D over the past two years is a response to the intensified competition from rival media platforms and in order to raise the bar for piracy and other forms of copyright infringements. This paper argues for a more complex – and contradictory – sets of agendas, where the traditional interest in spatial vision among avant-garde artists and filmmakers, the industrial uses of 3D and the objectives of mainstream cinema overlap, interact and cross each other, suggesting that some of the underlying issues around 3D require a wider horizon of analysis, in order to become comprehensible.
Presented by Marta Braun, Ryerson University
5:30 – 7:00PM Dinner Break
Speakers and Moderators Gala Dinner (by invitation only)
7:00 – 8:00PM Keynote / Masterclass
Catherine Owens – on Directing 3D
Seeing. “When a person tells you something or shows you something, how do you ‘see’ what they mean?” Drawing from contemporary art practices, this presentation challenges the assumptions of how we experience what we see, introducing creators to the nuances of directing 3D.
Presented by William Le Maitre
8:00 – 8:15PM Break
8:15- 10:00PM Screening and Post-production Case Study
Resident Evil: Afterlife
In a world ravaged by a virus infection, turning its victims into the Undead, Alice (Milla Jovovich) continues on her journey to find survivors and lead them to safety. Her deadly battle with the Umbrella Corporation reaches new heights, but Alice gets some unexpected help from an old friend. A new lead that promises a safe haven from the Undead takes them to Los Angeles, but when they arrive the city is overrun by thousands of Undead and Alice and her comrades are about to step into a deadly trap.
Presented by producer Don Carmody, with Deluxe postproduction team headed by Nick Iannelli including:
Chris Wallace – Senior DI colorist
Peter Armstrong – DI Manager
Motassem Younes – Editor
Nick Paulozza – Imaging Supervisor
Gregor Hutchison – Post Supervisor
Tuesday, June 14, 2011
Day begins at the Scotiabank IMAX Theatre, 239 Richmond Street
8:45 – 9:00AM Welcome
Opening remarks by Janine Marchessault PhD, York University
9:00-10:45AM IMAX Screening and Keynote
Through the power of IMAX® 3D, Hubble 3D takes moviegoers on an unprecedented voyage through distant galaxies to explore the grandeur and mystery of our celestial surroundings. Experience never-before-seen 3D flights through the farthest reaches of the universe, and accompany spacewalking astronauts on some of the most difficult and important endeavors in NASA’s history. Hubble 3D is an IMAX and Warner Bros. Pictures production, in cooperation with National Aeronautics and Space Administration (NASA).
Key Note by Graeme Ferguson
Graeme Ferguson has been enjoying 3D films for 60 years, starting with Norman McLaren’s Around Is Around (1953). Later he was a participant in the development of IMAX Corporation’s film-based 3D projection systems, including IMAX 3D and IMAX Solido, as well as the Solido and 30 perf cameras. His team’s IMAX 3D films have done boffo box office. Ferguson will provide some observations, and will hazard a prediction or two about the future of 3D.
Presented by Janine Marchessault PhD, York University
10:45 – 11:00AM Walk to Cinema 2 at TIFF Bell Lightbox
11:00 – 12:30AM Session 4
3D HYBRIDS: the ECUAD’s Stereoscopic 3D Centre of Excellence Experience
Ron Burnett PhD, Emily Carr University – S3D Experimentation in Film, Animation, and Hybrid Forms
Maria Lantin PhD, Emily Carr University – Time and Space Manipulation in 3D
Alan Goldman, Emily Carr University – 3D and documentary filmmaking
Michael Verity, Emily Carr University – Return to Fogo in 3D
Moderated by Laurie Wilcox PhD, York University
12:30 – 1:30PM Lunch break
Lunch not provided. A variety of restaurants and cafes are available in the vicinity
1:30-3:30 Session 5
Iain Forsyth & Jane Pollard, independent artists UK – M.A.R.S. CALLING
Marylou Tibaldo-Bongiorno & Jerome Bongiorno, independent artists USA – Capturing Cities in 3D: City Symphony Films
Leila Sujir, Concordia University - Between 2 Breaths: Walking through the Chorus of Lungs with the real & the re- construction of the real
David Clark, NSCAD – Spaced Out: Immersive Game Technology in Real Spaces
Moderated by Nell Tenhaaf, York University
3:45- 5:45PM Session 6
INDEPENDENT 3D FILM PRODUCTION
Ali Kazimi, York University – Dreaming with Depth – Narrative possibilities in Stereoscopic 3D
Munro Ferguson, NFB – 3D Filmmaking: Pitfalls and Possibilities
William Le Maitre, Independent Artist, Canada – Edia’s Dividuals: the Distributed Self in Digital Space
Tim Dashwood, Stereo3D Unlimited – Independent 3D film production in Canada
Moderated by Brenda Longfellow, York University
5:45 – 6:00PM Closing remarks
The tattoeed arms and the icy glare don’t lie: Kiwi turned English cricketer Ben Stokes is made of tough stuff.
In his only previous test at Lord’s, against India last July, the all rounder didn’t trouble the scorers in both innings. Then early this year he was told he’d missed his dream of playing cheap jerseys in the World Cup in his country of birth after a lean run of one day form.
In February he showed England’s selectors what they were missing when he blazed 151 not out and took 3 51 for England Lions against South Africa A. Then on his redemption test at Lord’s, against New Zealand, his 10th in all, Stokes arrived at a precarious 30 4 and unleashed his full array of shots to snatch the momentum for his adopted country.
There were a few nails hammered into the confidence of New Zealand’s bowlers as Stokes blazed 15 fours and a booming six off Matt Henry in his 92 off 94 balls. A second test century, after his 120 against Australia in Perth in December 2013, was there for the taking but he left one from Mark Craig which went on with the arm and clipped off stump.
“I can’t say what I want without saying a swear word, so I’ll leave it at wholesale jerseys that.
“Disappointed to get out so close to 100 at Lord’s, but the bigger picture is we’re in a good position,” he said of England’s 354 7 on day one.
“Off to bed very well batted my boy proudmum Gerard Stokes tweeted.
The Stokes family shifted to the north of England with father Gerard’s coaching career with Workington Town and Whitehaven, but not before Ben made a huge impression in Wellington. Playing for the under 12 rep team, he was described by coach Andy Cameron as a serious talent who was “built like Popeye” and could bat, bowl and field brilliantly.
He made his name in England in a hurry and was signed as a teenager cheap nhl jerseys by Durham, rising fast into the national under 19 side. He also had his hiccups on the way up; sent home from a tour of Australia for persistent late night drinking with team mates, then last year returning from a West Indies tour with a broken wrist after punching a locker when he was dismissed.
“That was a stupid moment and hopefully something I’ll never do again, because cheap jerseys china lockers are generally harder than bones or wrists.”
The fact the 23 year old was playing against New Zealand wouldn’t have been a motivating factor for Stokes, his father said this week. The dad of two considered himself an Englishman and he wouldn’t treat the Black Caps different to any opponent.
“I always back the way I play regardless of the situation. Another day I could have looked like a wally and nicked out for 20,” Ben Stokes said of his bullish approach.Articles Connexes：
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